File Name: the pit and the pendulum by edgar allan poe .zip
An unnamed narrator opens the story by revealing that he has been sentenced to death during the time of the Inquisition—an institution of the Catholic government in fifteenth- and sixteenth-century Spain that persecuted all Protestants and heretical Catholics. Upon receiving his death sentence, the narrator swoons, losing consciousness. When he wakes, he faces complete darkness. He is afraid that he has been locked in a tomb, but he gets up and walks a few paces.
An unnamed narrator opens the story by revealing that he has been sentenced to death during the time of the Inquisition—an institution of the Catholic government in fifteenth- and sixteenth-century Spain that persecuted all Protestants and heretical Catholics. Upon receiving his death sentence, the narrator swoons, losing consciousness. When he wakes, he faces complete darkness.
He is afraid that he has been locked in a tomb, but he gets up and walks a few paces. This mobility then leads him to surmise that he is not in a tomb, but perhaps in one of the dungeons at Toledo, an infamous Inquisition prison. He decides to explore. Ripping off a piece of the hem from his robe, he places it against the wall so that he can count the number of steps required to walk the perimeter of the cell.
However, he soon stumbles and collapses to the ground, where he falls asleep. Upon waking, the narrator finds offerings of water and bread, which he eagerly consumes. He then resumes his exploration of the prison, determining it to be roughly one hundred paces around. He decides to walk across the room.
As he crosses, though, the hem that he ripped earlier tangles around his feet and trips him. Hitting the floor, he realizes that, although most of his body has fallen on solid ground, his face dangles over an abyss. To his dismay, he concludes that in the center of the prison there exists a circular pit. To estimate its depth, the narrator breaks a stone off the wall of the pit and throws it in, timing its descent.
The pit, he believes, is quite deep, with water at the bottom. Reflecting upon his proximity to the pit, the narrator explains its function as a punishment of surprise, infamously popular with the Inquisitors.
The narrator falls asleep again and wakes up to more water and bread. After drinking, he immediately falls asleep again and imagines that the water must have been drugged.
When he wakes up the next time, he finds the prison dimly lit. He remarks that he has overestimated its size, most likely having duplicated his steps during his explorations.
The narrator discovers that he is now bound to a wooden board by a long strap wrapped around his body. His captors offer him some flavorful meat in a dish, but no more water. When he looks up, he notices that the figure of Time has been painted on the ceiling. Time, however, has been made into a machine, specifically a pendulum, which appears to be swinging back and forth.
The narrator looks away from the ceiling, though, when he notices rats coming out of the pit and swarming around his food. When he returns his focus to the ceiling, he discovers that the pendulum is constructed like a scythe and is making a razor-sharp crescent in its descent toward him. Its progress, however, is maddeningly slow and in a trajectory directly over his heart.
Even though he recognizes how dire the situation is, the narrator remains hopeful. When the pendulum gets very close to him, he has a flash of insight. He rubs the food from his plate all over the strap that is restraining his mobility. Drawn by the food, the rats climb on top of the narrator and chew through the strap.
When he gets up, the pendulum retracts to the ceiling, and he concludes that people must be watching his every move. The walls of the prison then heat up and begin moving in toward the pit. The narrator realizes that the enclosing walls will force him into the pit, an escape that will also mean his death. When there remains not even an inch foothold for the narrator, the walls suddenly retract and cool down. In his fear, however, the narrator has begun to faint into the pit.
To his great surprise, though, a mysterious person latches onto him and prevents his fall. The French general Lasalle and his army have successfully taken over the prison in their effort to terminate the Inquisition. He thus highlights his own unreliability in ways that other narrators resist or deny. The narrator maintains the capacity to recount faithfully and rationally his surroundings while also describing his own emotional turmoil.
This historical frame fills in for a personal history of the narrator. We do not know the specific circumstances of his arrest, nor are we given any arguments for his innocence or explanation for the barbarous cruelty of the Inquisitors.
The tale suggests a political agenda only implicitly. The narrative examines the physical and emotional fluctuations of the pure present, leaving historical and moral judgments to us.
Character List Roderick Usher C. Themes Motifs Symbols Key Facts. Important Quotes Explained. Page 1 Page 2. Summary An unnamed narrator opens the story by revealing that he has been sentenced to death during the time of the Inquisition—an institution of the Catholic government in fifteenth- and sixteenth-century Spain that persecuted all Protestants and heretical Catholics.
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As Poe repeatedly maintained in his critical views, the most successful story occurs when the author decides what effect or effects he wants to achieve and then decides what techniques to use to achieve that effect. In "The Pit and the Pendulum," Poe apparently had in mind the effects of unrelieved torture and suspense. The story begins with the trial of the narrator, as he sits before seven very severe judges; he is "sick — sick unto death," because the judges have an "immoveable resolution — of stern contempt of human torture. After swooning, the narrator awakens in total darkness; before opening his eyes, he imagines the horrors that await him. At last, his worse fears are confirmed: "The blackness of eternal night encompassed me.
The story is about the torments endured by a prisoner of the Spanish Inquisition , though Poe skews historical facts. The narrator of the story describes his experience of being tortured. The story is especially effective at inspiring fear in the reader because of its heavy focus on the senses, such as sound, emphasizing its reality, unlike many of Poe's stories which are aided by the supernatural. The traditional elements established in popular horror tales at the time are followed, but critical reception has been mixed.
The Pit and the Pendulum Summary Shmoop. The lesson could be done independently as a lesson engaging students in the analysis of complex text. Introduction:, Get an answer for 'What are the 5 major literary devices in "The Pit and the Pendulum"?
The story bases on the torments suffered by a detainee of the Spanish Inquisition. The story happens in the cells of Toledo during the Inquisition. From the beginning, we are pushed into the experience of a detainee experiencing torture, view spoiler The perplexity and diligent mental fortitude of the detainee develop the tension, and the peruser turns out to be exceptionally required as the assurance and imaginativeness of the character against all the chances grow unequivocally. An exemplary of shocking awfulness, The Pit and the Pendulum is additionally, for me, one of the Poe stories that most intently take after and unquestionably impacts later essayists, for example, Franz Kafka. Here we have a few Kafka-like components: a judgment articulated by far off, stern, brutal judges, with no feeling of what wrongdoing, assuming any, may have been submitted, and afterward a mischievous discipline that gets increasingly underhanded over the long haul. Also, The storyteller is additionally totally alone on the planet, spare the ravenous rodents, and this depression enables him to consider smoothly his own fantasy like cognizance. Simultaneously, Poe keeps up a furious force that truly kept me on the edge of my seat the whole time.
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Ввиду того что компьютеры, действующие по принципу грубой силы, отыскивают шифр путем изучения открытого текста на предмет наличия в нем узнаваемых словосочетаний, Харне предложил шифровальный алгоритм, который, помимо шифрования, постоянно видоизменял открытый текст. Теоретически постоянная мутация такого рода должна привести к тому, что компьютер, атакующий шифр, никогда не найдет узнаваемое словосочетание и не поймет, нашел ли он искомый ключ. Вся эта концепция чем-то напоминала идею колонизации Марса - на интеллектуальном уровне вполне осуществимую, но в настоящее время выходящую за границы человеческих возможностей.