autumn leaves sound and the environment in artistic practice pdf

Autumn leaves sound and the environment in artistic practice pdf

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Published: 04.06.2021

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A Sleepwalk on the Severn

This course aims to provide a programme of study for its students to develop skills and knowledge in creative practice across disciplines. Recognising the key role of convergent information and communications technology ICT in the facilitation of interdisciplinary modes of research and practice such technologies are treated as core to the course, including computer-aided design, interactive media, network and social technologies and other digital media. Students will become conversant with appropriate technologies and research methods and with the creative practices and social contexts within which such technologies are developed and applied.

This paper is written through the combined experience of my own artistic practice and periods of immobility during With it, I aim to draw attention towards physical, mental and political states of stillness and absorption. I will show how a period of relative physical stasis impacted upon my own practice and prompted a counter project to the now dominant methodology of soundwalking. Through personal reflection, I will demonstrate how walking is not always an entitled right; how class, gender and geopolitical forces impact upon a walk; and how the methodology itself may even perpetuate a culture of pursuit and entrapment.

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Carlyle, Angus Autumn leaves : sound and the environment in artistic practice. ISBN x. This publication is a book that represents an innovative, international and multi-disciplinary approach to conceptualising the dynamic relationships between sound and the environment. The editorial process involved directly commissioning textual, graphic and photographic work. The vast majority of the book represents new work, produced specifically for this publication. For the purposes of tracing historical development, an article from and three older projects have been revived and recontextualised.

In addition to the editorial responsibility, the researcher wrote the introduction and conducted three original interviews. The book draws work from visual, sound and performance art, acoustic science, anthropology, cultural studies, public policy, and architectural theory.

Just as it is true to say that these disciplines have not previously been brought together in this way, equally, it is no exaggeration to identify the contributors as the leading international lights in the field: Chris Watson, Tim Ingold, Hildegard Westerkamp, Christina Kubisch, Alvin Lucier, David Toop.

The book is published by Double Entendre, the French publisher of the premier sound arts journal, Vibro. The book is accompanied by an audio compilation published by the German record label, Gruenrekorder Gruen The book was the catalyst for a one-day symposium at the Tate Britain called The Performance of Sound May 19th, , which the researcher co-organised.

Soundscape 7 1 , Autumn, reprinted an interview conducted by the author from the book. Autumn Leaves, edited by CRiSAP co-director Angus Carlyle, seeks to draw together a number of different perspectives on how the environment is made audible through sound. In these a whole host of contemporary practitioners spanning the disciplines of graphic design, music, photography, performance and visual art offer their provocative takes on sound and the environment.

Here we encounter John Wynne and Tim Wainwright presenting their collaborative work in Harefield Hospital; Aki Onda pursuing his Cinemage project; Claudia Wegener finding poetry in ear- and eye-witnessing; an unpacking of the theories and technologies behind the exciting Locus Sonus audio streams; NYSAE opening up its portfolio of acoustic ecology-inspired activities; Goran Vejvoda mobilising a modular manifesto from his three decades of sound art; the Gruenrekorder label reviewing the thinking behind its 40 releases; Jem Finer show-casing his Score For A Hole in the Ground; Cathy Lane mapping her memories of the Hebrides; Zoe Irvine making an art of places out of abandoned audio tape; and Mira Choi introducing her noise-responsive graphic software.

The editorial work and its presentation has been a collaborative venture with the designer Ian Noble. Repository Staff Only: item control page. We use cookies on this website, you can read about them here. To use the website as intended please Type of Research: Book Creators: Carlyle, Angus Description: This publication is a book that represents an innovative, international and multi-disciplinary approach to conceptualising the dynamic relationships between sound and the environment.

Autumn Leaves book cover - design Carlyle, Angus.

Table of contents

Carlyle, Angus Autumn leaves : sound and the environment in artistic practice. ISBN x. This publication is a book that represents an innovative, international and multi-disciplinary approach to conceptualising the dynamic relationships between sound and the environment. The editorial process involved directly commissioning textual, graphic and photographic work. The vast majority of the book represents new work, produced specifically for this publication. For the purposes of tracing historical development, an article from and three older projects have been revived and recontextualised. In addition to the editorial responsibility, the researcher wrote the introduction and conducted three original interviews.

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Autumn Leaves is a book about how sound encounters space and about how that encounter has been made visible, legible and, most importantly, audible. The book draws together a number of different perspectives — from acoustics to architectural criticismMoreAutumn Leaves is a book about how sound encounters space and about how that encounter has been made visible, legible and, most importantly, audible. The book draws together a number of different perspectives — from acoustics to architectural criticism to anthropology and beyond — and places these perspectives in conversation with others developed through creative practice. Recently, in an article published by Quartz, including last research of Expat insider.

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This article aims at providing a state of the art of current interdisciplinary and comparative research approaches on the intrinsic links between sound and place. It explores the role of sound in appropriating and humanizing space, turning it into a place, a site of human intervention and sociocultural practice. The authors direct as well to the various refigurations of the sound and place correlation in an era of increased de-territorialization, transregionalization, and hybridization of cultural practice. They are two phenomena which appeal to our sensory capacities and which share comparable features: they both possess a recognizable form, they are both culturally shaped and they are symbolic points of reference for humans.

Soundwalking: Aural Excursions into the Everyday

Perception of placehood is subject to the changeability of the moon in A Sleepwalk on the Severn; my critical analysis of human encounters as ecopoetic extensions to sensory exploration finds them inescapably tinged by moonlit flux. I argue that her mapping of the movement of emotions across people, planet and place is a mode of signifying the ways that subjectivity and environment call into being our enworldedness.

A Sleepwalk on the Severn

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Беккер встал и бесцельно побрел по калле Делисиас, раздумывая на ходу, что бы предпринять. Мощенный брусчаткой тротуар под ногами постепенно сливался в одну темную гладкую полосу. Быстро опускалась ночь. Капля Росы.

Postgraduate Course: Interdisciplinary Creative Practices 1 (ARCH11086)

1 comments

  • Angelette C. 04.06.2021 at 19:01

    Autumn Leaves is a book about how sound encounters space and about how that encounter has been made visible, legible and, most importantly, audible.

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