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This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Maryan W. She specializes in the integration of technical examination of paintings with art-historical research.
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The guide to Renaissance Literature and Culture provides students with the ideal introduction to literature and its context from , including: - the historical, cultural and intellectual background including religion, politics, exploration and visual culture - major writers and genres including Spenser, Sidney, Marlowe, Shakespeare and Jonson - concise explanations of key terms needed to understand the literature and criticism - key critical approaches to modernism from contemporary critics to the present - a chronology mapping historical events and literary works and further reading including websites and electronic resources. Introduction 2. Historical, Cultural and Intellectual Context 2.
The Middle Ages saw Europe forge a new identity as a collection of individual nations, no longer part of the fallen Roman Empire, that developed their own ethnic character. During the Middle Ages, the nations of Europe forged new identities that moved them away from the lost glory of the Roman Empire into their own ethnicity. The experience of maturation was often clumsy and out of step, an evolutionary process that saw the nations developing at their own pace as they struggled to replace the protection of Rome with their own home-grown strength. What the nations, once they were ready to be described in that manner, did have was the Roman Catholic Church, which defined itself as the spiritual protector of Christian believers.
I work from home virtually all the time, except for trips once or twice a quarter and occasional afternoons at a nearby coffee shop. I can go days without seeing anyone other than my wonderful wife and daughters. And my cats. This isolation can take a toll. I recently switched from running during my lunch breaks to playing basketball so that I have more time to socialize with other human beings.
The essays investigate what it means to follow a Boccaccian model, in tandem with or in place of ancient authors such as Vergil or Cicero, or modern poets such as Dante or Petrarch. The book probes how deeply the Latin and vernacular works of Boccaccio spoke to the Renaissance humanists of the fifteenth century. While the geographical focus of many of the essays is on Italy, the volume concludes with three studies that open new inroads to understanding his influence on Spanish, French, and English writers across the sixteenth century. The book will appeal strongly to scholars and students of Boccaccio, the Italian and European Renaissance, and Italian literature. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. Built on the Johns Hopkins University Campus.
Annabel M. Patterson offers here a reassessment of the place of Hermogenes, a Greek rhetorician of the second century A. She shows that the literary men of the European Renaissance-scholars, critics, and poets-found Hermogenes' Concerning Ideas both important and extremely useful, and she finds that they vigorously applied his concepts to create "a lovely conformitie. The author first gives the history of this treatise on style and a detailed critical analysis of the Seven Ideas or categories of style. The book then demonstrates genre by genre how knowledge of the Seven Ideas can improve one's understanding of poetic development, especially in England, and reveals how the Ideas operate in the works of Tasso, Donne, Sidney, Shakespeare, Marvell, Jonson, Spenser, Milton , and many other poets and critics.
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У вас испуганный вид, - сказала Сьюзан. - Настали не лучшие времена, - вздохнул Стратмор. Не сомневаюсь, - подумала. Сьюзан никогда еще не видела шефа столь подавленным. Его редеющие седые волосы спутались, и даже несмотря на прохладу, создаваемую мощным кондиционером, на лбу у него выступили капельки пота. Его костюм выглядел так, будто он в нем спал.
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This book was first published as The Renaissance Bazaar rev.Reply
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Your institution does not have access to this book on JSTOR. Read Online · Download PDF. Save CHAPTER 3 Renaissance Encounters: The Crisis of Print.Reply